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Are they the ones we dream of, or the ones we fail to see among us?

Monster (2023)

June 2, 20232h 5mJA
7.9

862 votes

Official Site

Overview

After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.

Where to Watch

Streaming availability for India

Stream

Amazon Prime VideoMUBIMUBI Amazon ChannelAmazon Prime Video with Ads
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Top Billed Cast

Status

Released

Original Language

Japanese

Budget

N/A

Revenue

N/A

Production Companies

TOHOFuji Television NetworkAOI Pro.BUN-BUKUGAGA Corporation

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User Reviews

Lachlan Thiele

Lachlan Thiele

7.0

INT. COOKIE MONSTER – NIGHT Monster is the latest entry in the Kore-eda filmography (a filmography I still need to dive deeper into). Still, just like his previous films, It's a deeply personal look into a character, their motives but most importantly, how that motive affects those around them. Monster is a multi-layered beast; it retells one story from multiple perspectives giving us the whole cookie instead of just the crumbs. Usually, I'm a crumb kinda guy; I like to figure things out myself, putting them all together to get my cookie. Still, Kore-eda gives me the cookie; at points, h…

Read full review →
Lachlan Thiele

Lachlan Thiele

7.0

INT. COOKIE MONSTER – NIGHT Monster is the latest entry in the Kore-eda filmography (a filmography I still need to dive deeper into). Still, just like his previous films, It's a deeply personal look into a character, their motives but most importantly, how that motive affects those around them. Monster is a multi-layered beast; it retells one story from multiple perspectives giving us the whole cookie instead of just the crumbs. Usually, I'm a crumb kinda guy; I like to figure things out myself, putting them all together to get my cookie. Still, Kore-eda gives me the cookie; at points, h…

Read full review →

Brent Marchant

8.0

The perspective from which we view a situation infallibly provides us with a clear, irrefutable picture of its truthfulness, right? But what happens if we encounter someone who witnesses the same incident and comes away from it with a totally different interpretation? Both views can’t be “right,” can they? Or is it possible that none of us can see the totality of a scenario and claim to know everything about it? That’s the core takeaway from director Kore-eda Hirokazu’s latest feature, an ambitious, skillfully crafted tale told from multiple vantage points, all of them “correct” in their own r…

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