


“Prepare for adventure. Count on revenge.”
The Count of Monte Cristo (2002)
2.0K votes
Overview
Edmond Dantés's life and plans to marry the beautiful Mercedes are shattered when his best friend, Fernand, deceives him. After spending 13 miserable years in prison, Dantés escapes with the help of a fellow inmate and plots his revenge, cleverly insinuating himself into the French nobility.
Director
Kevin ReynoldsWriters
Where to Watch
Streaming availability for India
Powered by JustWatch The Count of Monte CristoTop Billed Cast
Status
Released
Original Language
English
Budget
$35.0M
Revenue
$75.4M
Production Companies
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User Reviews

John Chard
8.0Fantastic story given a quite smashing adaptation. Every once in a while, when Hollywood is stuck for new swashbuckling ideas, they turn to the writer of "The Three Musketeers", "The Man In The Iron Mask" and "The Count Of Monte Cristo", one Alexandre Dumas père. Which of course is no bad thing as long as the adaptation is given care and consideration - which hasn't always been the case. So when it was announced that the director of Waterworld, Kevin Reynolds, was to direct the latest version of "The Count Of Monte Cristo", many feared the worst. Made for around $35 million, Reynolds' fil…
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CinemaSerf
6.0Jim Caviezel is adequate, no better, as the wronged "Edmond" who gets caught up in a Napoleonic conspiracy that sees him confined on a remote island prison from which no-one escapes alive. His situation seems hopeless, until he receives an unlikely visitor - the elderly Abbe Faria (Richard Harris), who has been trying to tunnel his way out but took a bit of a wrong turning! The two become firm friends, and his parting gifts to the younger man are the secrets of an immense treasure - and his bodybag - that might enable him to seek revenge on "Fernand" (Guy Pearce); "Villefort" (James Frain) and…
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GenerationofSwine
1.0Well, it's not one quality... but I like to do a thumbs up or thumbs down approach. If the movie entertains a thumbs up, if it doesn't a thumbs down. Seems simpler than debating on a 4, a 5, a 6, whatever. This is also kind of why I want to be able to review individual actors, just so I can write a memo to Guy Peirce and tell him that he needs to stop doing period literary pieces and go back to making films that don't require ascots and puffs. And this brings me to the point in the review where I question why I know what the difference between an ascot and a puff are. Anyway, self-ref…
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