
To Die For
1995


“The first totally erotic major motion picture.”
11 votes
Haughty Alice is in for a surprise as she reluctantly takes refuge in the residence of her fiance, Jack. She finds her maidenhead taken from her, and is surprised to discover she likes it! Alice willingly assists Jack as they explore new escapades with unwitting victims.
Director
Robert SickingerWriter
Status
Released
Original Language
English
Budget
N/A
Revenue
N/A
Production Companies

**Victorian poetic justice** Inspired by the anonymous Victorian erotic novel "The Way of a Man with a Maid" (1908), the plot unfolds in 19th-century London, where Jack (Beerbohm Tree), a distinguished professor, conceals a secret room in the basement of his building, equipped with ingenious restraints designed to subject women to various bondage practices. His first victim is Alice (Susan Sloan), his former fiancée, who, after being captured and deflowered, undergoes a psychological transformation that allows her to avoid succumbing to the trauma, discovering an unexpected pleasure in the…
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**Victorian poetic justice** Inspired by the anonymous Victorian erotic novel "The Way of a Man with a Maid" (1908), the plot unfolds in 19th-century London, where Jack (Beerbohm Tree), a distinguished professor, conceals a secret room in the basement of his building, equipped with ingenious restraints designed to subject women to various bondage practices. His first victim is Alice (Susan Sloan), his former fiancée, who, after being captured and deflowered, undergoes a psychological transformation that allows her to avoid succumbing to the trauma, discovering an unexpected pleasure in the…
Read full review →
**Victorian poetic justice** Inspired by the anonymous Victorian erotic novel "The Way of a Man with a Maid" (1908), the plot unfolds in 19th-century London, where Jack (Beerbohm Tree), a distinguished professor, conceals a secret room in the basement of his building, equipped with ingenious restraints designed to subject women to various bondage practices. His first victim is Alice (Susan Sloan), his former fiancée, who, after being captured and deflowered, undergoes a psychological transformation that allows her to avoid succumbing to the trauma, discovering an unexpected pleasure in the…
Read full review →