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The Good, the Bad and the Ugly poster

For three men the Civil War wasn't hell. It was practice.

The Good, the Bad and the Ugly (1966)

December 23, 19662h 41mIT
8.5

9.6K votes

Official Site

Overview

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Where to Watch

Streaming availability for India

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Top Billed Cast

Status

Released

Original Language

Italian

Budget

$1.2M

Revenue

$38.9M

Production Companies

United ArtistsPEAArturo González PCConstantin Film

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User Reviews

John Chard

John Chard

9.0

I'm looking for the owner of that horse. He's tall, blonde, he smokes a cigar, and he's a pig! It's debatable of course, since there are legions of fans of the first two films in Sergio Leone's Dollars Trology, but with each film there not only came a longer running time, but also a rise in quality - debatable of course! Here for the third and final part of the trilogy, Leone adds Eli Wallach to the established pairing of Lee Van Cleef and Clint Eastwood, and brings all his tools of the trade to the party. Plot is slight, the three principals are on a collision course to find some buried…

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CRCulver

7.0

Sergio Leone's <i>The Good, the Bad, and the Ugly</i> is a classic Western film. Clint Eastwood is the Good, aka the Man with No Name, a taciturn wanderer who follows his own sense of justice. His opposite is Angel Eyes (Lee van Cleef), the Bad, a brutal mercenary who kills anyone who stands in the way of making ready cash. The film's comic relief is Tuco (Eli Wallach), the Ugly, a Mexican bandit wanted in several states who ends up inadvertently doing some good turns. At the height of the Civil War, as Union and Confederate armies battle each other in the West, these three men vie for an aban…

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Peter McGinn

Peter McGinn

10.0

I am not a fan of Sergio Leone. In fact, this movie and Once Upon a Time in the West are the only movies of his that I have seen. But I think they are both classic westerns. He seems to bring out the best in his cinematographer, both for scenery and for his characters. In one review I read, he was criticized for staying with facial close-ups too long, and I would probably agree if he populated his movies with beautiful actors and actresses as many films do, but he relies heavily upon actors with interesting faces. Sometimes I feel he relies on too many shootings, and on having his gunfig…

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