After Yang (2022)

I found in After Yang something I had been searching for for a long time. It is particularly special to me as an Asian whose culture and sense of belonging has faded with each passing generation. My recent quest to rekindle what was once of my ancestors has been especially difficult in a climate that has so flagrantly looked down upon me. After Yang provides a sense of relief in the idea that who you are is not solely defined by where you come from. **My full 5-star review: ** https://www.cinemasolace.com/reviews-%26-articles/f/review-after-yang-%7C-sundance-2022

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/after-yang-spoiler-free-review-sundance-2022 "After Yang may have some pacing issues, but Kogonada's beautifully thoughtful storytelling and ASKA's unforgettable, tear-inducing score transform this piece into a contemplative, inspirational cinematic experience. A profound, sincere study of what it means to be a family, what it means to be loved, and how important it is to remember where we come from. A fascinating look into the core of humanity through the heart of a robot - both literally and figuratively. Exceptiona…

I’m unsure what After Yang tries to accomplish (does it want to be a cautionary tale about the evils of privacy-violating technology? A gentle meditation on the nature of memory? The manifesto for a hypothetical AndroidLivesMatter movement?), but I do know that whatever it is, it fails – just like Jake (Colin Farrell) and Kyra (Jodie Turner-Smith) fail to parent their little daughter Mika (Malea Emma Tjandrawidjaja). The movie takes place in an indeterminate future where it is possible to buy “an older sibling for Chinese adoptions” (a possibility that is oddly specific). Some years before…