
7.9


3 votes
From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.
Director
Hirokazu Kore-edaStatus
Released
Original Language
Japanese
Budget
N/A
Revenue
N/A
Production Companies