David C. Stone

David Stone, played significant roles both in radical US film-making of the 1960s and in Britain's golden age of arthouse cinemas in the 1970s. In 1974, David and his wife, Barbara, acquired the former Classic cinema, at Notting Hill Gate, West London, which they transformed and renamed the Gate. They opened their own distribution company, Cinegate, whose first acquisition was three films by the young German director RW Fassbinder: The Merchant of Four Seasons (1971); The Bitter Tears of Petra von Kant (1972); and Fear Eats the Soul (1974). The first Fassbinder films to be shown in Britain, these brought the Gate instant critical and box-office success at its opening in September that year. The Gate often enjoyed success with films others had passed over, including La Cage Aux Folles (1978), and Woody Allen's Annie Hall (1977) and Manhattan (1979). Derek Jarman's Sebastiane (1976), with Latin dialogue and subtitles, had queues around the block for six weeks. They brought over the young bodybuilder star of Pumping Iron (1977), Schwarzenegger, who posed with David for the cover of Time Out, and stated, accurately, that he was going to be "bigger than Stallone". There were occasional run-ins with the censors, notably with the Japanese film In the Realm of the Senses (1976). For this, the Gate was temporarily turned into a club, and the Stones manned the box office in case of sudden police intervention. In 1978 they opened the Gate 2 in Brunswick Square and in 1981 Gate Camden in…